Tragus and Anti-Tragus Piercings

Tragus piercings and anti-tragus piercings are becoming increasingly popular – in fact, tragus piercings are now one of the most common ear piercings around. Ear piercings are the most familiar form of Body piercings and the tragus and anti-tragus are fresh expressions of the mundane ear lobe piercings.

The tragus is a thick little piece of cartilage that juts out from the ear canal. To get an understanding of the exact location of the tragus, place a finger by the outer corner of your eye. From this point, trace the finger back, in a straight line, until you touch your ear. The first piece of your ear you will feel is your tragus. You should be able to grasp this little nub between your fingers – this is where the piercing will go through.

There are all sorts of misconceptions about the tragus. Some people may try to tell you that piercing your tragus will affect your balance – that is simply not true. Your balance is affected by fluids in your ear drums, which are located deep within your ears, and are far away from any pierce-able surface. The tragus does not have anything to do with your balance, so don’t be fooled by uneducated people who might try and tell you otherwise. In fact, the only purpose a tragus has is to hold your headphones (such as the standard iPod headphones) securely in your ears; and once pierced, there are thousands of headphones to choose from which will not irritate your piercing. Honestly, the tragus has nothing to do with your ear, your hearing, or your balance. It is just a flap of cartilage – perhaps if humans developed sonar and echo-location the tragus would be useful (super developed traguses help bats use sonar, for example) – but alas, on our species, it’s just a surface begging to get pierced!

The tragus is recommended to be pierced with a captive bead ring, but a barbell will suffice. The reason rings are almost always preferred for the initial piercing as opposed to barbells is because rings tend to heal quicker, better, and more securely. Once healed, you can use any type of jewelry, even typical jewelry normally reserved for ear lobes. Your piercer will help you choose which gage is right for you (and by the way, expanding the tragus is not unheard of, but rare), mark the location on your ear, and push the needle right through. Some piercers may put a cork behind the tragus to “catch” the needle, some piercers just use clamps to aid the needle through, and yet others just use their hands. Each piercer is different, so they will pierce according to their style. Clamps are the most common method, and many people report that the actually clamping to secure the skin hurts more than the piercing! The tragus piercing should be painless – there aren’t a lot of nerves there – but some people do feel slight and temporary pain. Because it is so close to the ear, some people even say they hear a little “pop!” sound as the needle pushes through. Should you hear a little noise, it’s nothing to be concerned about. Once the needle is in, the jewelry is slid into place and secured, and you are done! The whole process, from prep to finish, shouldn’t take more than five minutes.

The tragus does take a while to heal – sometimes up to a year to be fully and completely healed. Many people irritate their new piercing by placing their dirty cell phones up to their ear or by sleeping on the ear with the piercing. I suggest NOT doing either of these for at least the first six months. If your piercing does become infected (and it shouldn’t with proper aftercare), soak it in warm salt water, don’t touch it with your hands, and perhaps (using a q-tip) rub some diluted tea tree oil around the piercing. Never use any sort of rubbing alcohol, for this will irritate and scar your piercing. Your piercer will give you a complete rundown of what to expect and how to handle your new piercing though, so pay attention to their advice.

The Anti-Tragus is very similar to the tragus. It is pierced the same way, the aftercare is the same, and the healing time is the same too. To locate your anti-tragus, place a finger on your earlobe (generally where someone’s first ear piercing would be) and with your finger, draw a straight line up. The flap of cartilage you come to before the empty space is your anti-tragus. Your tragus and anti-tragus are located very close to each other, and the anti-tragus is just opposite of the tragus. Just like the other piercing, this piercing does not affect your hearing or balance. The anti-tragus is rarer than the tragus, mostly because many people don’t think they can get this area pierced, but it can be pierced and it does look great when healed. Curved Barbells and captive ring beads are used most frequently in these piercings.

If you are considering an anti-tragus or tragus piercings, be sure to use a licensed professional. Once it is fully healed, the way your ornament or decorate the piercing is completely up to you, and the jewelry possibilities are endless!

Hand Piercings, Finger Piercings, and Hand Web Piercings

Hand Piercings, Finger Piercings, and Hand Web piercings are all very rare and rather extreme. In fact, if you are even considering getting one of these piercings, you are truly one of the brave. The pain varies, and in fact usually there is minimal pain involved with the piercing, but the aftercare of these particular piercings is only for the stringent at heart.

Your hands are two of the most active places on your body. They are constantly in motion, they are full of germs, and they are very sensitive (all those nerves running through our hands help the brain process pain, pleasure, and temperatures). A contemporary phenomenon is getting the surfaces on your hands pierced. I’m not against these piercings at all, but more than most piercings, it is important you understand the risks before committing to the piercing.

Hand piercings are all surface piercings, so they are susceptible to the usual suspects – migration and rejection. Your hands are chock full of muscles, tendons, and nerves, so the constant motion of your hands don’t exactly work in your favor. Generally, the less disturbed the piercing area, the quicker and more successful the healing. With hand piercings you will not have the luxury keeping a hand “protected”. It will be exposed to the elements, germs, daily stresses, and abuses straightaway. For this reason, only get a hand piercing if you are willing to do the following.

First of all, you must clean it religiously. Your piercer will recommend cleaning it somewhere around three times a day with a warm saline solution – don’t skip this step! The saline helps keep the piercing site clean and free of buildup. You will have special instructions concerning which soap you can use, what moisturizer you can use, what liquids or gels you can’t put on your hands (Neosporin is always a no-no), ad infinitum. Smoking is definitely discouraged with a hand piercing, for the cigarette smoke that will inevitably drift around it will irritate your new piercing and prolong the healing. You must also be sure to keep the piercing site clean, not just from germs, but from dirt, trash, food, etc. Remember, you have a very delicate piercing that is being assaulted from all sides, so be careful!

Your lifestyle may have to change as well during the healing period. Besides not smoking, you shouldn’t be wearing gloves (they can tear the piercings out) or engaging in any activity that may put your hands at risk. If your career heavily depends on using your hands, you may want to think about getting one of these piercings extra carefully. Your everyday life will be affected by this piercing for at least a year – which is the general healing time. If you’ve never had a body piercing before, this probably isn’t a good one to start out with!

Now that the risks are known, and you still want to go ahead, here is what you can expect! For starters, don’t get pierced with a ring or hoop. You are just begging for it to get ripped out! Your hands touch too many objects everyday and a ring jutting out will get snared on something and it will be gone before you know it. Your piercer and you will decide if surface bars or curved barbells are best for your piercing location (which is largely determined by the shape of your hands, exact location, and lifestyle). It is not uncommon to have to get refitted a couple months after the piercing, for the swelling should have gone down enough to where you might need new jewelry to lie closer to the skin.

For hand piercings, the location can be almost anywhere. Surface bars will almost always be used, and the pain might be a bit intense. Rejection risk is high since there is not a lot of skin or tissue to penetrate, but with care this can be a relatively long term piercing.

Finger piercings generally don’t hurt nearly as much as they look, but these too have a high risk of migration. Generally pierced at the base of the finger to look like a ring, surface bars or barbells are used. The finger will swell after piercing, and is highly prone to infection, but by following the right aftercare and being super careful, you just may be able to make this piercing last a good long while.

Hand web piercings might be the most popular of the hand piercings – the webbing between each finger (especially between thumb and forefinger) is very thin and not hard to push a barbell through. It is also prone to rejection and migration, and infection is a very real possibility. This piercing should not affect your mobility (none of these piercings should affect any of your body functions), but the hand webs are major points in acupuncture therapy, so if you talk to an acupuncturist they probably won’t be keen on you receiving a piercing this area. There’s no western scientific evidence that piercing your hand webs will hurt you, but if you follow eastern medicine and science, you may want to hold off on web piercings.

All in all, piercings on the hand are rather extreme. They require constant care, zealous protection, regular cleaning, and even then it’s not a guarantee that these piercings will last. Yet, if you want to push the boundaries and your lifestyle affords it, you can try to get a piercing on your hand. For many people who successfully have them, it’s their favorite piercing!

Artist’s Signatures – How Do They Change the Value of Art?

Signed in pencil, signed in the plate, what does all of this mean? The way a print is signed and it’s impact on the value of the art causes a great deal of confusion. You will see prints that are unsigned, signed in the plate, stamped signature, estate signed and signed with a blindstamp. There are no hard and fast rules about how an artist should sign their graphic art. It is more important to know what the normal procedure was for the time period and what the normal practice was for that particular artist.

Centuries ago, most artists never considered signing their art. Numbers of pieces are unsigned, but that does not mean that the artist is unknown or that it was not done or approved by him or that it has no value. Rembrandt, considered one of the greatest etchers did not sign a number of his etchings. Most of the modern masters, Picasso, Chagall, Miro, did not sign certain editions. This is when it is important to work with a knowledgeable dealer since unscrupulous people have forged pencil signatures on authentic art in order to command a higher price.

Signed in the plate means that the artist has signed their name in the matrix (wood, metal, stone, etc) so that it is printed within the art. This is the way that an artist would sign their work up until the 19th Century and many of the earlier artists would not have done that much if it had not be decreed by guild law. Generally speaking, because in art there are always exceptions, a plate signed work of art is more desirable than an unsigned piece, but is less desirable than one signed in pencil. Since artist from the 14th to late 19th Century did not sign their art in pencil, the lack of a pencil signature has no impact on the value.

Signed in pencil is usually the type of signature that collectors prefer.

It has become a tradition for the artist to sign their name in the lower margin under the image. They may also include the edition number, title and date. We can thank James McNeil Whistler for helping to introduce and promote the hand written signature at the end of the 19th century. The hand signed signature signified the integrity of the print, that it is original and distinctive from a reproduction. Whistler charged twice as much for his hand signed pieces than he did his other pieces from the same edition, even though there was no difference in the quality of the art. Seymour Haden would sign his name to any of his earlier unsigned etchings for a guinea. Picasso sold 15000 signatures for the Vollard Suite.

Unfortunately, the hand signed signature no longer has this same meaning since many artists sign and number their offset lithographic or giclee reproductive prints. Nor is this a new phenomenon, Kathe Kollwitz signed photolithographic reproductions of one of her aquatint series. Still, the implied message has remained and pieces that are hand signed generally are more valuable than ones that are not. What makes all of this very confusing is that it is possible to have a fake signature on an authentic work of art and an authentic signature on a reproductive work of art.

Sometimes, instead of hand signing the art or signing in the plate, an artist will use a stamp of their signature and apply it to the art, usually in the lower margin where you would normally find the hand signature. A stamped signature will sometimes be confused for a hand signed signature.

Heirs and estates have been creating posthumous editions or reproductive editions that bears a special signature. They sign the art to give the impression that it would have been authorized by the artist if they had not died. These signatures could be hand signed, stamped signatures or blindstamps by the heirs, museums or any authorized organization. The value of these is usually much lower than lifetime impressions. But of course, there are always exceptions!

Graphic Design and Its Genre

Graphic design is originally a skilful combination of texts and pictures in advertisements, magazines, books, etc that functions as an effective means of visual communication.

It refers to a number of artistic and professional disciplines which focus on visual communication and presentation. Different methods and devices are used to create and combine: symbols, images, styles and words to create a visual representation of ideas and messages.

To be more precise, it is a creative process where generally the clients, designers and sign-makers put their head together to chalk out a sign, symbol, and design in order to convey a specific message (or messages) to a targeted audience. In a phrase you can say graphic design “Visual Communication or Communication Design.”

A Graphic web design might use visual arts, typography and page layout techniques to produce its final result. Graphic design often includes both processes designing for communication and the products (designs).

Types of Graphic Web Design:

Basically it can be categorized into four distinct categories:

1. Image-based

2. Type-based

3. Image and type

4. Symbols, logos and logotypes

Image-based

This category includes graphic designs to represent the ideas which a company or web designer wants to convey. It functions as a powerful and compelling tool of communication, conveying not only information but also moods and emotions. People also respond to images according to their perception, personalities, associations, and previous experience.

Image based design must cover the entire massage and a few words are allowed if it badly needs. Massage may be conveyed in different ways like: photography, paint, drawing, or graphic.

Type-based

Sometime designers choose words to convey a message in a different ways writers do. They use whether typography or handmade lettering to perform many communication functions.

Image and type

Web Designers sometimes combine images and typography to convey clients’ message to the audience. They use words (typography) and images (photography, illustration, and fine art) to make a complete message.

Symbols, logos and logotypes

Symbols, logos are the highly condensed and microcosm of information or identification of a company. Here some particular Symbols, logos encapsulate a company-profile, its identification, its product service, its goals, mission and vision.